The driver is the guy who waves his hands on the podium in front of the orchestra. The stick in the hand is called the line – baton.The as members of a police band or group, as members of a chamber orchestra consisting of four or five instruments to maintain synchronization listening to each other and consecutive ‘s results. An orchestra can not: there are too many instruments playing many different parts time.At same sample period, the director job ‘s, the orchestra and the artists stage of preparation. If repeated without an orchestra conductor, the brass section drowning the strings, wind sync with everyone, and the singers got up early and sing in a beat too slow, because they also tend to a driver. The current driver said, his tone brass, have strings to animate a notch, the cries of the wind, to tell them they ‘re playing in the wrong key, the tenor shows exactly where it should be patient, and the soprano, which they needed at the head of the rule up.The Speed Rightkeeps the pace – Tempo – while his left index singer and part of the orchestra, he (the left) also shows how hard, exactly, they should play. Most conductors such as eye contact with as many artists as possible to maintain. It is the duty of the musicians in the pit and singers on stage for driver ‘s follow the instructions. So if you are in a poor performance by dragging tempos, a lack of clarity in the orchestra, screwed up entries from the singers, etc., to run, it is very likely that the driver ‘s first duty fault.The driver, play the music that the author wants to hear. Unfortunately, in the performing arts is now a common belief that artists are self “artist ” and should have the opportunity to show their be ” creative,” although no evidence to support this thesis. for about 50 years, suffered from the popularity of opera tempos drag (if you slow down, winner dies opera – is the sound even more boring – loses its advantage). Almost all drivers thought that the only public “Get ” music when you spoon feed it to them, note by note slow -Only ten years ago. Today it is bland, to disappear, thankfully, and only old, well-known conductors, which are set in their ways yet been tempos audience draw, and only the old, the directors of the opera desperately conservative contract to sing with them opted for the new generation of drivers much more honest, professional and tasted much better. So “Tosca, ” “Aida ” “Carmen ” “Ziegfried ” are masterpieces, and some exciting, not only museum-quality relics of the time that people will use, enjoy.